Francis Bacon: Human Presence

The Irish-born English painter Francis Bacon was born in October 1909 in Dublin, Ireland. His parents were both English. His father left the British army to become a horse trainer, while his mother’s wealthy family owned a steel + steel: acciaio  company. Francis had asthma and was allergic to horses; this, claimed + claimed: sostenere, affermare the artist, disappointed his father.

inspiration

Francis was close to his grandmother, who lived in rural County Laois. Her beautiful rooms and ornate furniture later inspired his art. The Bacon family moved between England and Ireland many times. Francis was educated at home, but was thrown out in 1926 for dressing up + to dress up: vestirsi  in his mother’s clothes. His parents gave him enough money to live on, however. 

ART CAREER

Bacon spent a lot of time drifting around + to drift around: essere in giro alla deriva , but also taught himself to paint. He lived in Berlin and in Paris before settling + to settle: stabilirsi  in London in 1928. Many of Bacon’s early paintings are based on images by other artists, which he then distorted. For example, he painted a screaming nanny + nanny: bambinaia from Soviet filmmaker Sergei Eisenstein’s 1925 silent film Battleship Potemkin, and also based work on studies of the human figure in motion by the English 19th-century photographer Eadweard Muybridge.

FIGURATIVE

Most of Bacon’s paintings are figurative. They show figures smeared + to smear: macchiare in pink and red oil paint to create images of rage + rage: rabbia, collera and horror. Among his most famous works are Three Studies for Figures at the Base of a Crucifixion (1944) and a series called The Screaming Popes + Popes: papi  (1949-mid-1950s), based on Spanish artist Diego Velazquez’s Portrait of Pope Innocent X. Bacon also made self-portraits and portraits of his friends, including the painter Lucian Freud, and Bacon’s boyfriend Peter Lacy.

FRIENDS AND LOVERS

The artist believed that paintings should assault the nervous system rather than + rather than: piuttosto che be understood. He said he wanted them to leave “a trail + trail: impronta of the human presence and memory trace + trace: traccia of past events as the snail + snail: lumaca leaves its slime + slime: bava .” As abstract art was in vogue at the time, some critics found them conventional. In 1952, the English critic John Berger wrote that “Bacon’s art is, in effect, conformist. It is not with Goya or Eisenstein that he should be compared, but with Walt Disney.”

ALCOHOLISM

Bacon enjoyed drinking. He painted in the mornings and spent the afternoons and evenings in bars. In 1962, he was told that his partner Peter Lacy had been found dead from drinking too much. In 1963, Bacon began a relationship with a model and thief called George Dyer, who became his muse. Dyer committed suicide by overdosing + to overdose: fare eccesso di alcol e droghe on drink and drugs in his and Bacon’s Paris hotel bathroom in 1971. Bacon painted portraits of Dyer obsessively before and after his death. 

Bacon’s international reputation spread + to spread: diffondersi In 1988, he famously had an exhibition in the USSR. Young British curator James Birch put on the show at the Central House of Artists in Moscow. It was the first time a British artist had appeared in an exhibition in the USSR since it became so in 1922. Bacon spent the last decades of his life painting, travelling and drinking. He died of pneumonia complicated by asthma while visiting a friend in Madrid in 1992.